(fleeting)


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My chapbook came out yesterday, and a problem with being an older debut poet is just hitting me.

Almost everyone I’d like to share the news with is long dead.

My parents, most of my teachers, all my mentors. The twentieth century has been dying for years; this week I feel freshly re-orphaned.

Obviously, this is not to diminish how great it’s been to share this news with all the people who ARE still here, but it’s all the more bittersweet because it makes me realize how many others have already gone…

Also… I may have a list of the dead, but I’ve lived long enough that there is also a list of the dead-to-me. This is bittersweet in a different way, but it also brings a grim satisfaction that I never have to deal with any of them ever again.

So that’s been my week.

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New from above/ground press: my chapbook, This Folded Path.

close-up of a fallen log at night, lit from one side by a car's headlights, showing the tree rings in stark light and shadow
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I grew up in the ’70s, so I’m having a very hard adjusting to the fact that bald eagle sightings are now a daily occurrence for me.

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I’m only now beginning to feel slightly human again after losing a week to the most spectacular head cold I’ve had in years. Watching my immune system fight this cold was like watching someone try to build an intricate model airplane while being pelted with coins.

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This is your periodic reminder that I have a newsletter and that now might be a good time to subscribe.

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Another bookmark for the series.

I just found this in a book I bought during my only visit to Elliott Bay Books (and to Seattle), in 2014.

A bookmark with a drawing of an old three-mast schooner at the top. Below, a quote from Andre Maurois: In literature, as in love, we are astonished at what is chosen by others.

(Original series here, with subsequent discoveries here.)

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Some above/ground author activity

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Now playing:

Cover image for the album If Not Now by Meredith Bates, showing a flat blank wall and the bottom right corner of a boarded up window and window sill; precariously rooted at the corner of the sill, a small plant is growing
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Last, next.

96: Nat’l Parks (Yellowstone)
97: Autumn Trilogy (Scarlet Oak)

Two Field Notes memo books side by side: one used, one new
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I’ve just learned the formidable Otoliths has ended its run after seventy issues.

Few lit mags have published such a dizzying variety of work while also maintaining such an unmistakable and singular vision. Its intrepid editor, Mark Young, is a wonder.

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A poem of mine, “Four Lessons” has just appeared in the fabulous Guesthouse. Many thanks to Jane Huffman for including it among such excellent company.

“Four Lessons” is from my book, Vessels, which will be published next year by Unsolicited Press.

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Now might be a good time to sign up for my (infrequent) newsletter, Three Things.

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Last, next.

95: Great Lakes (Huron)
96: Nat’l Parks (Yellowstone)

Two Field Notes memo books side by side: one used, one new
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Fool. The reason why the seven stars
       are no more than seven is a pretty reason.
Lear. Because they are not eight?
Fool. Yes indeed. Thou wouldst make a good fool.

Finished in June

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Finished in May

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Last, next.

94: Kraft Plus (Wednesday Red)
95: Great Lakes (Huron)

Two Field Notes memo books side by side: one used, one new
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Now playing:

cover for the album Secret Stratosphere by William Tyler and the Impossible Truth showing an illustration of an enormous orange sphere partially draped by a white cloth floating in the sky, with several small clouds nearby
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Another bookmark just resurfaced, this time from Blue Whale in Charlottesville, where I spent some time in the summer of 2000.

bookmark for Blue Whale Book in Charlottesville VA

(Original series here, with subsequent discoveries here.)

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Last, next.

93: Signs of Spring (Ghost Flower)
94: Kraft Plus (Wednesday Red)

Two Field Notes memo books side by side: one used, one new

Finished in March

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Now playing:

Cover image for T Spoon Phillips' album, Lost and Haunted Ways, showing the stone wall of a ruined castle on a green hill, with the English flag (red cross on a white field) flying.
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What? A newsletter? Does the world really need another one of these?

Don’t worry! Mine is obscure, sporadic, and utterly vacuous! You will never feel any pressure to learn anything, be challenged in your beliefs, or even entertained. So go ahead! Subscribe here: “Three Things”

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Now Playing:

Album cover for the improv album Monstrance by Andy Partridge, Barry Andrews, and Martyn Barker, showing a series of orange and black ovals, as if looking down a deep well made of orange and black plastic, with the word Monstrance across the middle of the image in a typeface that seems almost deliberately designed to be virtually illegible.
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Oh look, that’s me reading some poems at the above/ground press 2023 AWP (unofficial) offsite (virtual) reading.