Russell Hoban, Riddley Walker:

Its some kynd of thing it aint us but yet its in us. Its looking out thru our eye hoals. May be you dont take no noatis of it only some times. Say you get woak up suddn in the middl of the nite. 1 minim youre a sleap and the nex youre on your feet with a spear in your han. Wel it werent you put that spear in your han it wer that other thing whats looking out thru your eye hoals. It aint you nor it dont even know your name. Its in us lorn and loan and sheltering how it can.

#SA4QE


…swimming, swimming, the eye held by the sun, no sharks in the mind, nothing in the mind.

—Russell Hoban, Turtle Diary (1975)

Picture of a passage from Russell Hoban's 1975 novel, Turtle Diary, printed on yellow paper and pinned to a fridge with sea turtle magnets. The quote reads: How do the turtles find Ascension Island? There are sharks in the water too. Some of the turtles get eaten by sharks. Do the turtles know about sharks? How do they not think about the sharks when they're swimming that 1,400 miles? Green turtles must have the kind of mind that doesn't think about sharks unless a shark is there. Sea turtles can't shut themselves up in their shells as land turtles do. Their shells are like tight bone vests and their flippers are always sticking out. Nothing they can do if a shark comes along. Pray. Ridiculous to think of a turtle praying with all those teeth coming up from below. ¶ I think of them swimming through all that golden-green water over the dark, over the chill of the deeps and the jaws of the dark. And I think of the sun over the water, the sun through the water, the eye holding the sun, being held by it with no thought and only the rhythm of the going, the steady wing-strokes of the flippers in the water. Then it doesn't seem so hard to believe. It seems the only way to do it, the only way in fact to be: swimming, swimming, the eye held by the sun, no sharks in the mind, nothing in the mind.

#SA4QE


What I finished reading in January.


The Children of Tantalus

They crave death, they crave sorrow. They fear the future, they fear the past, they fear time. A world that has already ended cannot change; a world that does not change cannot end. Their eternity is that of the flash. Statis, the instant, and eternity — they see these three as the same thing, and they see them as the ideal. Ideals. Ideas without bodies. They fear bodies and they crave living forever solely in ideas.

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Last, next.

91: Snowy Evening (15,902)
92: Kraft (graph)

Two Field Notes memo books side by side: one used, one new

My wife and I met twenty-nine years ago today.

I was invited over to a friend’s apartment to meet her — and she ignored me the whole time. No hello, no eye contact. Absolutely nothing. She was utterly unapproachable. Instead, she spent the evening in the other room, forehead-to-forehead with her friend, discussing and analyzing a VHS tape of the modern dance concert she’d choreographed a few weeks earlier. And I could see instantly how smart, articulate, beautiful, and, most of all, strong she was.

Some stories belong to the breath, not to the pixel and keyboard. Some stories need the counterpoint of digressions and indignant amendments, of interruptions to refill the wine glass or the bread bowl, or to choose more music, album by album. They need the bustle and patience of a long evening, the wood and steel rhythms of a well-provisioned table.

So: to hear the rest of the story, you’ll need to be seated across from us, favorite beverage at your elbow, and all the time in the world. And perhaps a story or two for us in exchange.


Now playing:

Album cover for the Novak Quartet's recording of Bartók's six string quartets showing the overlapping shapes of two violins, a viola, and a cello, making a prismatic pattern in browns and oranges

A snowy morning, and a snowy day ahead.

predawn view of my backyard with every branch of every tree outlined in snow

Something just happened and, honestly, it’s taken me a few days for the reality of it to sink in. It’s of no consequence to almost anyone else, of course, but it’s rather a big deal to me.

Last week, I signed a contract with Unsolicited Press, which will be publishing my debut book of poetry.

More details soon, but first I need to attend to my chapbook, which will be coming out early next year.


I spent the better part of 1992 through 1994 writing thousands of lines in iambic pentameter. Maybe it’s time again. 2023, the year of blank verse?