My poem, “Leaving the Story Unfinished,” has just appeared as part Dusie’s long-running Tuesday Poem series.

I mailed out the first batch of chapbook orders last week, and I’m ready to open it up to people beyond my newsletter subscribers.

Visit this Very Secret Page for instructions on how to buy a copy.

I’ve just learned the formidable Otoliths has ended its run after seventy issues.

Few lit mags have published such a dizzying variety of work while also maintaining such an unmistakable and singular vision. Its intrepid editor, Mark Young, is a wonder.

Something just happened and, honestly, it’s taken me a few days for the reality of it to sink in. It’s of no consequence to almost anyone else, of course, but it’s rather a big deal to me.

Last week, I signed a contract with Unsolicited Press, which will be publishing my debut book of poetry.

More details soon, but first I need to attend to my chapbook, which will be coming out early next year.

You know that scene where Faye is mailing letters and she hears “That Thing You Do” on the radio and she and the bass player run down the street screaming like lunatics and then they all dance around Patterson’s appliance shop?

Yeah, that.

Details to follow.

Well. Isn’t that just some of the best news I can’t tell anyone yet.

Apparently, some foolish press has committed the grave tactical error of accepting a manuscript of my poetry, going so far as to claim they will actually publish it.

Why would anyone do this? I have no idea. Were they hopped up on pain meds? Did they lose a bet?

Publishers are inscrutable and are often motivated by strange, dark urges. Best not to dwell too much on their disquieting perversions.

In short, my debut chapbook, This Folded Path, is forthcoming from above/ground press.

Details to follow!

🎙️ I’m this week’s guest on Micro Monday podcast series.

I know, I know: fifty-four minutes isn’t exactly “micro.” Well, after the main interview, we talked for almost forty extra minutes about Until the End of the World, which we’re both very big fans of.

And “cinephile”? Oh I don’t know. I think of myself more as a song & dance man.

Bonus! Now that this rare series has been reissued on DVD, be sure to check out the bonus disc of Deleted Scenes & Bloopers: Songwriting! Sylvia Plath! Bob Dylan! Cults! Hot dogs!

1: Never rebroadcast since its original airing, it’s the genre-defying pilot, in which people say the word “accomplish” so many times it stops holding any meaning whatsoever.

4: In this week’s musical episode, Hal Holbrook, fresh off his Tony award-winning run as the Mysterious Stranger, joins the cast to sing about adjectives. (Originally performed and broadcast live!)

2: In this exciting episode, groundbreaking in its use of CGI, I answer the question, “What poets changed the way you thought about writing?” Special appearance by the late John Engman in a flashback.

5: It’s the shocking season finale!

To raise funds to save our gang’s favorite hang-out from foreclosure, I must perform a thrilling leap on water skis over a shark tank!

(And in the episode’s audio commentary, I talk about what I’m currently working on.)

And here is the third post in my ongoing poetry mini interview.

In this “very special” episode — animated, in homage to The Sorcerer’s Apprentice — I wonder how I know when a poem is finished. Grace Paley guest-stars.

In the spring of 2021, I participated in the ongoing — and truly wonderful — Poetry Mini Interview series.

With summer upon us here in the northern hemisphere, it’s time for re-runs, where episodes of TV shows are shown out of order, so nothing makes sense!

A poem of mine, Time & Times, has just appeared at the always wonderful Selcouth Station.

[2023-06: Selcouth Station has, unfortunately, shuttered and the website is no longer available.]

A poem of mine, Walls, has just appeared at Autumn Sky Poetry Daily.

A poem of mine, Demiurge, is available now in Issue 6 of Wine Cellar Press.

It’s a hay(na)ku, a poetic form I’ve been playing with since 2004 or so. (Learn more about hay(na)kus from its inventor, here.)

I’m pleased that a strange old sonnet of mine has found a home in the newest issue of the excellent Wine Cellar Press.

And be sure to click over to the second page, to read another poem, A Found Fragment in your Firetorn Books, which was written following the prosody of Old English alliterative poetry.

“The Light’s Agitation,” a poem sequence I wrote in the late ’90s has just appeared in the newest Otoliths.

Thanks as always to the irreplaceable Mark Young for giving it a home.

A very old poem of mine, called Elegy, was published today in the “inaugural expo” of Cool Rock Repository.

It’s so odd to think that this poem is finally seeing the light of day after living in my files for nearly thirty years.

Here is the last part of my poetry mini interview.

It’s the shocking season finale! To save our gang’s favorite hang-out from foreclosure, I must perform a thrilling leap on water skis over a shark tank. And in the audio commentary, I talk about what I’m currently working on.

The fourth part in my poetry mini interview is up.

In this week’s musical episode, Hal Holbrook — fresh off his Tony award-winning run as the Mysterious Stranger — joins the cast to sing about adjectives. Performed and broadcast live before a studio audience!

And here is the third post in my ongoing poetry mini interview.

In this “very special” episode — animated, in homage to The Sorcerer’s Apprentice — I wonder how I know when a poem is finished. Grace Paley guest-stars.

The second installment in my five-part “poetry mini interview” has just been posted.

In this week’s exciting episode — groundbreaking in its use of CGI — I answer the question, “What poets changed the way you thought about writing?” Special appearance by the late John Engman in a flashback.